2019 in books

Building off of 2018’s more organized list of books, I logged each book I read over the course of 2019. It was a more reading-filled year in which I finished 72 books. A big part of that came from making more time for reading in my vacations; the early morning hours are just the perfect time for a cup of coffee and a book.

Most of that reading happened over a digital format. The new(er) Kindle Oasis from Amazon is a near-perfect device, at least for my habits, and its adjustable warm light is one of those instantaneous difference makers I can’t imagine going without. While I still prefer hard copy books the convenience, portability, and single-purpose nature of the Kindle win out for day-to-day reading.

My favorites on the nonfiction side were Alain de Botton’s Status Anxiety and The Goodness Paradox by Richard Wrangham. They’re very different reads as one is more philosophical and the other more popular science. Status Anxiety considers why, both historically and ideologically, we feel such a need to gain and compete for status (and all the anxiety that comes along with that). The Goodness Paradox is a fascinating look how humans exhibit extremely peaceful day-to-day relations alongside vicious forms of planned violence. The discussion of bonobo and chimpanzee behavior and habitat was one I found particularly worthwhile.

On the fiction side, my standout favorites were three Classics-related books: The Song of Achilles and Circe by Madeline Miller, and The Odyssey by Emily Wilson. Miller’s books are retellings of myths from Ancient Greece. She really masters the storyline in a way that makes them accessible even if you’re unfamiliar with the history. Wilson’s book is a new translation of the Homeric poem. While it’s all written in iambic pentameter she relies on a voice that makes Odysseus’ journey engaging and easy to follow.

There’s a lot from 2019’s reading that has stuck with me and, I hope, will continue to filter into my thinking. A 2020 personal goal is to get more of my reading notes into a public, online format. Over the course of a typical nonfiction book I’ll take a few thousand words of notes, but they sit in raw, local text files. There’s some sort of editorial process those need to go through, though, to be intelligible outside of my own brain.

My 2020 reading list is up and running. And as I figure out how to best share reading notes I’ll link to them from that page.